A retrospective look back at Jim Henson's 1986 fantasy film 'Labyrinth'.

A man is travelling on a long haul express train journey from Amsterdam to Paris. He shares his sleeper compartment with another man who he engages in conversation. He learns that the man is a cannibal who intends to kill and eat him. The man is unsure of where his life is going and begins to be swayed by the cannibal's assertions that being eaten would give his life meaning and purpose. However, how long can the man stall for, with questions on the finer points of eating someone?

A young draft dodger helps militant Native Americans in their protest against the government at Wounded Knee.

A journey through history

A collection of original shorts exploring the unknown, the unexplained, and the unimaginable.

A cartoon version of the Greek myth of Labyrinth.

Where do we come from? In a dazzling sprint through twenty million years, this animated short evokes the great episodes that led to the birth of man.

In the late sixties, Spanish cinema began to produce a huge amount of horror genre films: international markets were opened, the production was continuous, a small star-system was created, as well as a solid group of specialized directors. Although foreign trends were imitated, Spanish horror offered a particular approach to sex, blood and violence. It was an extremely unusual artistic movement in Franco's Spain.

After 30 years apart, a man is reunited with his mother, who resides on a psychiatric ward.

"Labyrinth" is a groundbreaking multi-screen 45-minute presentation produced for Chamber III of the Labyrinth at Expo 67 in Montreal, using 35 mm and 70 mm film projected simultaneously on multiple screens. A film without commentary in which multiple images, sometimes complementary, sometimes contrasting, draw the viewer through the different stages of a labyrinth. The tone of the film moves from great joy to wrenching sorrow; from stark simplicity to ceremonial pomp. It is life as it is lived by the people of the world, each one, as the film suggests, in a personal labyrinth. Re-released in 1979 as "In the Labyrinth" by the National Film Board of Canada in a 21-minute single projection format.